Mozart’s comic romp about love and relationships rests on a bet about fidelity that is made among the male characters, propelling events into a sometimes riotous, sometimes moving escapade. It becomes an intense character study of its six players, and ends with a feminist twist.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
